Here is a private press synth curiosity from Jacksonville, Florida that I'd been tracking down for a while, before finally scoring a copy recently. It didn't entirely live up to the promise held by the cool cover illustration and instrumentation noted on the back, but few things ever really do. For the most part this really is a solid and listenable electronic record, dipping heavily into the early new-age/space music/Berlin school dramatics of the era with a slight prog touch. Another fascinating element that pulled me in was learning this album was created to be played in a planetarium (The Alexander Brest Planetarium). This may explain some of the crazy panning/stereo business going on in a track or two: Loud swooshes ebb and flow causing an often jarring but brief volume jump (it's not my rip, but the actual sound), most evident near the end of the 14-minute epic "Soft Moments" (what a great title!). I'm not certain that it has any relation to the planetarium or its intended listening function, but is an interesting mix idea nonetheless.
If you're like me and you don't get really excited about heavy piano use in electronics, then you may be put off a little by all the fanciful ivory tinkling, aurally caressing their charms around your brain. I appreciate piano very much (maybe more in a subtle Satie sense), yet here the grand piano sort of gives everything a regal sensibility, or hints at drama that may be a bit obvious (think Tubular Bells-like suspense building) at certain times... and at others there's an almost minimalist Eno or Sakamoto thing happening. Mind you the playing is top notch through and through! Elsewhere, there are classic analog synth sounds dripping from this record. The opening track just oozes out of nowhere with spacey bleeps and bloops before a very shrill string-synth melody comes in and sort of carries the tune off into a more upbeat, almost inspirational (and slightly cheesy) direction before being engulfed by the buzz and sputter of bassy synth mayhem. Several times while listening I thought this could almost pass for a more sedate John Carpenter soundtrack. There are cinematic buildups, moody spatial passages, frantic sci-fi arpeggios and plenty of the aforementioned piano magic.
If you're into electronics with a more sedate new-age flair this may be up your alley. If you're into more "edgy" private press synth works then go seek out Tom Cameron's Music to Wash Dishes By or the Iatrogenics lp.
I don't know much about the two composer/musicians, Joe Deihl and Jack Tamul, however there is a Jack Tamul album at Continuo's blog, in addition to a lot more informative details on the musician. I'm not sure how similar that album is, since I haven't heard it, but I'm certainly keen on investigating now...
Time Waves

Woah, I can't believe you finally found this. Awesome! Looking forward to peeping.
ReplyDeleteJust so you know: the Jack Tamul LP is far from new-age, more like an intense and disturbing experience. I'll give this duo a try, based on my fondness for Tamul's solo music. Nice find, anyway. Thanks.
ReplyDelete"The Temptress" is my jam.
ReplyDeleteJust finished listening to this, I quite liked it from first listen, I don't mind the piano and where it sits in the mix either. Nice synthscapes. Excellent find!, many thanks.
ReplyDeleteOh by the way, what is the image of behind your blog header?, I've tried to work out what its from, to no avail. Looks great.
ReplyDeleteThanks. Maybe I'm being too hard on it. It is quite a nice listen!
ReplyDeleteThe image behind my header is from Superstudio, the 70's Italian design/philosophy/conceptual movement...
I only wish I could listen to this in an old planetarium, this album is absolutely radical to the maxxxx
ReplyDeletethis album is awesome. i love the piano work on it. definitely a keeper. thank you so much for posting it!
ReplyDeleteGlad you like. Yeah, I was a bit hard on the piano thing. I think this is a good album and have begun to like it more.
ReplyDeleteI have been trying to ungrip this from Celestino since he found it on a road trip we took. Flawed but cool, like a lot of this stuff.
ReplyDeleteHey P**tr, yeah I think it's pretty good but has some issues that prevent me from really loving it. Some cool tracks though!
ReplyDeleteThere is a Jack Tamul cassette from the early 80s called The Referee Has Vanished. Used to have it. Waiting to find it online somewhere. I saw him perform live with (as I recall) an ARP2600 at The Parthenon in Nashville around the same time.
ReplyDeletefantastic!
ReplyDeleteJack Tamul has some soundscape installations most notable in the Orlando airport and (I think) in the redline in Boston/Cambridge. I think this album came out when he was artist-in-residence at the museum in Jacksonville in the late 70s. He is still active as a composer.
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